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| The cast of 2012's best film? |
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| Gotham's finest; Blake and Gordon |
Morgan Freeman’s Lucius Fox was nicely used for his wit during this very dark film and was used appropriately when his character's skills were required. He featured more than usual here and I'm glad he did. Michael Caine’s Alfred Pennyworth is sadly neglected and used more as a plot device more than anything yet still greatly performed and loveable as usual. However, though a stellar job, Caine's version of Alfred doesn't make a mark on the late Michael Gough who remains an adorable piece in the sometimes grotesque jigsaw that's the original Batman series. Gary Oldman’s Comissioner Gordon features heavily which is something I really appreciate Christopher Nolan for doing with these modern Batman movies. The role Oldman has played has been consistently, without fail, being stunning. Oldman’s performance is just another reminder why he’s referred to as one of the many greats of the Hollywood industry. I’m glad Nolan’s shaped his character similar to his comicbook counterpart. In the original Batman films Gordon, as played by Pat Hingle, was a lame attempt at making the Comissioner a source of humour which failed and I look back at those films and realise how much potential that character has when comparing to the Dark Knight trilogy Comissioner.
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| Bane versus Batman |
Now, Tom Hardy's Bane. As
the main antagonist Bane doesn’t really have a backstory which is something that seems to happen with a lot of villains in the Batman universe. Bane's story is very sketchy and
just like Heath Ledger’s Joker (a glorious performance by the way) he’s a very complex character that needed some
sort of reasoning behind the motivation he has to destroy Gotham rather than what the script gives us. Bane doesn't fit into the category he's thrown into and its one of the few faults wrong with this film. However, I can admit, without knowing everything it adds to the entertaining
mystery surrounding the character. Bane’s highly intelligent and ruthless. He’s not stupidly bulky or dumbed down like in the
ridiculous Batman and Robin but a believably intimidating dictator which slots in perfectly with the thematics of this dystopian world we're launched into. Christian
Bale’s Bruce Wayne, though played well previously, has usually been slightly
wooden. However, in the Dark Knight Rises he reflects a multitude of emotions
we barely see from that actor. I was actually surprised at how good Bale was
here and my respect for him as an actor, though already high, has increased that bit more. I
adore characterisation like that used in The Dark Knight Rises because its Bruce Wayne that makes
the moral decisions here, not Batman. When it comes down to it, super-hero's have their alter-ego's and their secret identities who act differently to one another. Despite this, Batman and Bruce Wayne, more than ever, are one here. Still, I’m rather disappointed with how the Batman himself was featured because he popped up rarely. In addition, when he did appear he was as marvellous as he could be.
Now
the film itself overall, which there isn’t much I can tell you about because the movie is powered by the fuel of its amazing characters whose reinventions in Nolan's world differ to their comic-book origins in so many ways but in a way that means that when applied to the modern, gritty world of Gotham they work perfectly. Hans
Zimmer’s soundtrack is riveting and beautiful in a variety of ways that allows the film to flow smoothly. The regularly occurring Arabic
chant is a clever inclusion and used when necessary. Bane and Batman’s themes
are memorable and representative of their characters. The music in this film is so important because a lot of the time the film is
quiet and so when its featured it pumps up the tension tenfold or enhances a scene in the way it should.
The
cinematography is elegant, the direction is inch-perfect and the writing has so
many incredible moments which assists the visuals and the actors on screen creating the possibility of gaining awards look even more likely than ever for this outstanding series. The
mix of CGI and real effects are manufactured for high quality viewing and all
of the action scenes keep your heart pounding. These and the narrative and your
connection to the characters keep everything tense and exciting and on the edge
of your seat. It's just a shame about the Bat, the hyped up hover-craft we've been seeing through advertisement. Its overly-used and probably implanted to be used as a critical plot device and reveal for the end of the film. Its flight is too unrealistic which makes this prominent new vehicle disappointing. I'd also like to point out that the Tumbler Batman uses never required the rider to have their backside sticking out until they were Catwoman in pleasing tight black lycra. And also, even during a time when 13 million people need his help desperately, Bruce still sees it fit to apply black makeup when donning the Bat suit.
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| Batman never had do this but I'm not complaining |
In
my heart I’m a Marvel fanboy through and through but the end of this trilogy makes my
affection for DC Comics increase. I didn’t used to be such a big Batman fan but
Christopher Nolan’s changed that with his dazzlingly dark and realistic approach to
this comic book hero. This marks a incredible end to what can be categorised as one of the most popular and successful film trilogies in not just the super-hero film world but general one too. The Dark Knight Rises happily replaces the Avengers as 2012's film of the year in my opinion.
Thanks, Josh.
P.S. I'd just like to share my condolences to the families and friends of those who were unfortunate enough to be killed at the screening of this film in Colorado and that my thoughts are with them.




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