|Beth (Nikki Amura-Bird) has no idea what she is...|
Written between 9th and 10th March 2013
How often have you heard the question, "What does it mean to be human?" It's a typical sci-fi staple, really, something that you're bound to find anywhere you look. Hell, it's so ubiquitous in fiction that we have a series that is literally about Being Human. (I'm still mourning, go away.) This week, Torchwood takes a standard murder mystery plot and gives it a shake-up with another well-acted guest star and a set of moral dilemmas about the nature of humanity enough to satisfy any English Literature student.
The team are called to a burglary where the two burglars have been stabbed brutally despite there being no knives in the room at the time. The second burglar dies with his deathbed words speaking of being afraid of the woman in the house, Beth (Nikki Amura-Bird, before Survivors), who Jack immediately brings into the Hub. Despite having her own electromagnetic field and inpenetrable skin, Beth is adamant that she is human. A mind-probe reveals that she is the first of a set of alien sleeper agents, implanted with false memories to blend in but constantly absorbing information in preparation for invasion. Beth gains enough control over her alien tech to help Torchwood stop a small invasion attempt, but she sets up a situation that forces Torchwood to kill her, prefering that death than losing her mind to her true self.
Beth, for what could have been an undersaturated guest character, is surprisingly well characterised. The themes surrounding her loss of identity and the threat she poses to those around her is explored without her ever becoming anything less than a convincing human being. Her "death by Torchwood" demise is also pretty deep, and manages to bring an adult side to the series that doesn't rely on its old adolescent machismo. It's hard to see what we would do in that situation, and the show does its best here to represent that in a captivating way.
|Having a sword-arm all the time can't be good for balance.|
Or dexterity. It's why we tend to not have sword-arms.
Sleeper always gets a tad faded over in my memory of the series, and that may be because it wasn't as immediately memorable as the two stories flanking it. But as a piece of science fiction it's a fairly well-execution exploration of the "what does it mean to be human" question, with some classic horror and a few very quotable lines thrown in. Torchwood has pretty much fully thrown off all predeliction towards its prior silliness, and it's operating as a piece of sci-fi for a mature audience. And that's awesome.
NEXT WEEK: I debate (jnternally) on whether I ship Tosh/Owen or Tosh/Tommy more... it's To The Last Man.